Fabiola Bierhoff is an art historian and PhD Candidate in the History and Cultural Studies program at the Free University of Berlin. She received her Bachelor in Art History at Radboud University Nijmegen in 2006 and holds a Masters in Museum Curatorship summa cum laude from the Free University of Amsterdam. Her Master Thesis on the alternative East German art scene was awarded the Annual Master Thesis Award 2010. Since 2009 she has been an art writer for the bimonthly magazine De Witte Raaf. Fabiola is currently conducting research for her dissertation, which is provisionally entitled “The Role of Autonomous Art Criticism for Performance Art in the Last Decade of the German Democratic Republic”. Her research is funded by a scholarship from the German Academic Exchange Service (DAAD) and a research grant from the Prins Bernhard Cultuurfonds.
Dan Borden grew up in Houston, Texas where he earned an architecture degree at Rice University. After getting his Masters degree from Columbia University, he worked as an architect in New York City for 15 years. His love affair with Berlin began when he visited as a student in summer 1987. After several more visits to the city, he settled in Berlin in 2006 where he works as a teacher, writer and filmmaker. He has contributed to books on the history of architecture and film. His monthly “Save Berlin” column in Exberliner magazine explores the city’s architectural history and future.
Isabelle Daniel received her M.A. from Heidelberg University in January 2012. She is currently a fellow in a research project on Anti-Semitism in Europe during World War I at the Center for the Study of Anti-Semitism at Technical University Berlin and holds a PhD fellowship from Heinrich Böll Foundation. Her PhD project is on anti-Semitic discourses in the Berlin based media during the Weimar Republic. Isabelle was a student of History and Political Science at Heidelberg University, Johns Hopkins University and Charles University Prague, and participated in a program for international students at Tel Aviv University. Focusing on Jewish History, International Relations and Resistance during her studies, she graduated with a Master’s thesis on the resistance of writers to the Communist systems of Czechoslovakia and the German Democratic Republic. Beside her studies, she was a tutor for Foreign Affairs in the Political Science Department of Heidelberg University and has worked as a freelance journalist with a focus on Jewish culture and Eastern Europe related topics. Isabelle was an editor at the Prague based weekly “Prager Zeitung” and the German news media n-tv.de. She continues writing as a contributing author for the Goethe Institute and several German and international media. She is passionate about the Jewish history of Berlin, human rights and a member of “Reporters without Borders”.
Jean-Ulrick Désert is a conceptual and visual-artist. He received his degrees at Cooper Union and Columbia University (New York) and has lectured or been a critic at Princeton, Yale, Columbia, Humboldt University and l’école supérieur des beaux arts. Désert’s artworks vary in forms such as billboards, actions, paintings, site-specific sculptures, video and objects and emerge from a tradition of conceptual-work engaged with social/cultural practices. He has exhibited widely at such venues as The Brooklyn Museum, Cité Internationale des Arts, The NGBK in galleries and public venues in Munich, Amsterdam, Rotterdam, Ghent, Brussels. He is the recipient of awards, public commissions, private philanthropy, including Lower Manhattan Cultural Council (USA), Villa Waldberta/München – Kulturreferat, Kulturstiftung der Länder (Germany) and Cité des Arts (France). Désert established his Berlin studio in 2002.
Peter Bijl born-Dutchman, originally a journalist, has been the initiator/driving force behind different cultural festivals, websites, platforms and exchange projects. After moving back to Berlin in 2008, the city that had gotten under his skin profoundly, he’s been doing this internationally. In Utrecht he put up the 9-day Berlin festival Mitte Bitte!, in Berlin he initiated a similar 12-day program of Dutch/Flemish culture: Flachlandfest. Both festivals took place in 2008 and were initiated, developed, financed and produced in only a few months time. As a curator / artistic director, Peter’s highlight was the city-wide manifestation ‘No Man’s Land’. A multidisciplinary weekend in November 2009 at 40+ locations in Utrecht, celebrating and commenting the 20th Anniversary of the Fall of the Berlin Wall: a festival as a work of art, using space, creativity and personal stories in different disciplines to tell Berlin’s incredible story. In ‘No Man’s Land’ Peter let Berlin’s heavy history interact with its light and creative present, via the red thread of personal stories. After realizing these festivals, Peter moved on to connecting cultures and stories in a different way: by joining musician Tjerk Ridder in his Caravan Hitchhiking Project. Hitchhiking with a caravan, without(!) a car: the duo traveled Europe, from Utrecht to Istanbul, showing that ‘You need others to keep you going’. Their art project had a large international appeal, with national tv reports in 8 European countries. Out of their journey, Peter and Tjerk created and published a book/DVD, which has been published in Dutch, English and German. A new book, a playful photo project on football culture, is on the way.
Jeroen van Marle
Jeroen van Marle is a geographer and travel writer from the Netherlands, who has lived in Berlin for 5 years. He has lived in 8 countries across the world, writing about dozens of destinations. He’s the editor of a Berlin city guide that’s published several times per year. A resident of Kreuzberg since 2011, he is fascinated by the varied history of this young district.
Maria and Natalia Petschatnikov
Maria and Natalia Petschatnikov are identical twins. As visual artists they work collaboratively in the border region between painting and installation. Originally from St. Petersburg, they received their art education in the United States (BFA – Rhode Island College, MFA – Hunter College of The City University of New York) and in France (École Nationale Supérieure des Beaux-Arts, Paris). They moved to Germany in 1999 and have travelled half of Europe thanks to numerous fellowships and residency programs. The Petschatnikovs have exhibited widely throughout Europe as well and are represented by Wagner+Partner Gallery in Berlin. In addition, the sisters both teach studio art and art history at a number of schools and institutes in Berlin and Hamburg. Since 2000 they have been invited to give regular workshops and tours at the Kunsthalle Museum in Hamburg. One of the major strategies of their art production as well as their teaching lies in juxtaposing classical and contemporary art.
Madelief ter Braak
Madelief ter Braak is architectural historian and freelance writer/journalist. In 2011 she graduated cum laude with a Research Master Art History & Archaeology from the University of Groningen (the Netherlands). Fascinated by urban public space, she focuses on the use and representation of this everchanging aspect of the city in the past, present and future. In her research and writing she’s guided by unconventional sources in art, photography, literature, poetry, films and music. Cross-cultural interests and curiosity have led to several publications in very diverse (online) magazines. For Blauwe Kamer magazine on landscape development and urbanism, she writes the column ‘Standplaats Berlijn’. On her research she’s given lectures at the School of Architecture Groningen, the TU Delft and the Art historian Institute from the University of Groningen. Her masterthesis Flanieren in Berlin is written as a journey across east and west, in times of dictatorship and democracy.
Laureline van den Heuvel
Laureline van den Heuvel (1978) is an art historian and writer. She has a teachers degree in art (BA) and studied art history (MA) at the Free University in Amsterdam. Between 2007-2009 she worked as an independent art professional , doing research and writing texts for galleries and art fairs like Art Amsterdam. She is a published writer since 2005 for several on- and offline art magazines, like Metropolis M and 8weekly in the Netherlands and Freistutz Magazine in Berlin. At the Amsterdam Academy for the Arts she thought multiple courses like Contemporary Art, Art and Culture and was a guest lecturer for the Art Criticism course. After visiting Berlin for the first time in 2000, she got hooked and after many more visits, finally decided to make the move in march 2014. At the moment she works as a guide in the Jewish Museum and gives tours through Berlin’s lively gallery scene. The Berlin art circuit art makes her heart beat faster. Looking for galleries in Berlin feels like an Indiana Jones adventure, where a treasure can be just around the corner. You can read all about the treasure hunt in her blog Gallery Quest and come find out for yourself on a tour.
Mariana Moscoso recently completed her MA in Art History at the University of California, Davis on the Italian Postwar art movement, Arte Povera. Currently, she is working on two collaborative visual art projects, studying German, and independently completing the preliminary research for her doctoral dissertation on contemporary art in Germany, Italy, and Latin America. Her current research focuses on the intersections between art, revolution, and terrorism from a feminist perspective. Her collaborative art projects of the Berlin Pigsters and Southern Exposure, on the other hand, embody her academic studies through a theoretical approach using the visual arts as a form of criticism on topics such as globalization, diaspora and gender.
Saskia Deborah Pawlow
Saskia Deborah Pawlow is about to take her bar exam in law. Currently, she works as a journalist, editor and translator, having also studied French, Italian, Arabic and Hebrew. Born some years before the Fall of the Wall, Sasloa raised in a turbulent period and she could experience how her ‘zitty’ has changed ever since. During her law studies at the Free University of Berlin she was awarded a scholarship to study law in the US. There, she lived in Miami, in Hartford, Connecticut, as well as in New York City where she got more and more intertwined with Jewish traditions and culture. After her return to Berlin she decided to take 2 years of advanced Jewish Studies in university and to combined it with several stays in Israel to get to know the language, the country, its people and history. Saskia has always been very interested in the Middle East conflict and its potential resolutions and she is volunteering for a NGO the provides forums for dialogue.
Joep de Visser
Joep de Visser recently completely an MA in German History at the University of Amsterdam. Due to his fairly extensive weblog about memorials and historical locations in Berlin, Joep is very up-to-date about the past of his new Heimat. In the upcoming year, Joep plans to write a historical novel that fleshes out the shocking changes that transformed Berlin’s daily life during the first half of the 20th century. In his side-project–History of Hipsters–, he explores the phenomenon of today’s alternative youth culture.